Browse Items (17 total)

https://s3.amazonaws.com/omeka-net/69313/archive/files/85815582339b91080b822c7bd7dcd030.mp3
In the first of more than 100 interviews with Burgin Mathews, Frank Adams shares some of his earliest memories. Topics include the influence of his father, Oscar W. Adams, Sr., and of his maternal grandmother, Ella Eaton; his first public…

https://s3.amazonaws.com/omeka-net/69313/archive/files/a6e1d40749e3dceb2c6c5c5b6c048499.mp3
Frank Adams shares memories of his father, Oscar Adams, Sr. An influential and sometimes controversial figure in Birmingham's Black community, the senior Adams was editor and publisher of the Birmingham Reporter newspaper (1906 - 1934); Grand…

https://s3.amazonaws.com/omeka-net/69313/archive/files/2629f7ef3a1d619978d6b16134b4223d.pdf
In this excerpt, Adams reflects on his early training in music, including his first informal lessons from his older brother Oscar and his experience in the elementary and high school bands of William Wise Handy and John T. “Fess” Whatley.…

https://s3.amazonaws.com/omeka-net/69313/archive/files/53b39a6c00689c9a8cf7da262073bf2c.mp3
Frank Adams describes the musical culture of Birmingham’s segregated Black schools. In the opening portion of this excerpt, Adams reads from a lecture he was preparing for the University of Alabama at Birmingham, exploring the history of jazz and…

https://s3.amazonaws.com/omeka-net/69313/archive/files/6986159c36d8f09312a366151bbbe824.mp3
Frank Adams recalls early gigs performing in elementary and high school with the guitarist Banjo Bill Reese. Adams was introduced to Banjo Bill by a high school student and singer named Sammy Mayo, who also performed with the older musician. In these…

https://s3.amazonaws.com/omeka-net/69313/archive/files/8d4cd17503f371e9647e95381d52a160.mp3
Frank Adams describes his experiences performing with the "Sammy Green From New Orleans" road show and outlines the "rules" for Black bands touring small towns the South.Sammy Green produced a touring Black vaudeville show based, despite its name, in…

https://s3.amazonaws.com/omeka-net/69313/archive/files/c2aad6217ced4a2da7d32d0e6e3289f8.mp3
In this interview excerpt, Frank Adams describes a conflict with high school bandleader (and legendary disciplinarian) John T. “Fess” Whatley – and an unexpected invitation from Sun Ra, the otherworldly bandleader then known as Sonny…

https://s3.amazonaws.com/omeka-net/69313/archive/files/e080a30dcc3350e475dca2189cdfe84e.mp3
As a high school student in the 1940s, Frank Adams played in both the bands of Fess Whatley, Birmingham's celebrated "Maker of Musicians," and Herman "Sonny" Blount, later famous as Sun Ra. In this interview excerpt, Adams compares the experience of…

https://s3.amazonaws.com/omeka-net/69313/archive/files/3aae555b2aa477d3ec342c756060da9d.mp3
Frank Adams elaborates on his early experiences with Sun Ra. Adams joined Sonny Blount’s band as a teenager in the 1940s, before Blount left Birmingham for Chicago and became famous as Sun Ra. When this interview was recorded in 2012, Adams was the…

https://s3.amazonaws.com/omeka-net/69313/archive/files/f77329267258313e95a6ff8e3c8ff4ff.mp3
Adams recalls an encounter with Sun Ra at Ra's induction, in 1979, to the Alabama Jazz Hall of Fame in Birmingham, Alabama. Born in Birmingham in 1914, Herman Poole "Sonny" Blount would become famous as the iconoclastic, visionary jazz bandleader and…

https://s3.amazonaws.com/omeka-net/69313/archive/files/6543ce2d9b324887d1e38741d40354b3.mp3
Frank Adams describes two of Birmingham's most popular Black night clubs in the 1940s -- the Grand Terrace and Monroe's Tavern -- along with stories of their owners. Adams played at both venues as a teenager and college student during this era. Also…

https://s3.amazonaws.com/omeka-net/69313/archive/files/563fa9e672068f34dfd299ed6d5efa6c.pdf
In this excerpt, Frank Adams shares memories of trumpeter Joe Guy. In the late 1930s and early 1940s, the Birmingham-born Guy performed in the bands of Cab Calloway, Lucky Millinder, Coleman Hawkins, Cootie Williams, and others—as well as in the…

https://s3.amazonaws.com/omeka-net/69313/archive/files/84a64d9b6a3f4acce9a1bd5259e51cf9.mp3
In 1950, Frank Adams had recently graduated from Howard University and was working as a supplier (subbing for a regular player) in the Duke Ellington Orchestra. When Ellington took his band to Europe that year, Adams returned to Birmingham and began…

https://s3.amazonaws.com/omeka-net/69313/archive/files/51aa4e8597f9a3ce22db961801edbfa6.mp3
In 1939, Erskine Hawkins and his Orchestra recorded their signature hit, “Tuxedo Junction,” a tune whose title paid tribute to the Ensley, Alabama, neighborhood where members of the band had played some of their first professional gigs. The Hawkins…

https://s3.amazonaws.com/omeka-net/69313/archive/files/121488df6e70469a4db164a0c949b045.pdf
In this short excerpt, Frank Adams recalls, from his years as a school band director, one parent’s resourceful innovation in the face of limited resources. Recorded by Burgin Mathews on September 9, 2009, in Frank Adams’s office at the Alabama Jazz…

https://s3.amazonaws.com/omeka-net/69313/archive/files/4681dd2c66d31716887cb3cd60b03d37.pdf
In 1949, Frank Adams graduated from Howard University. A founding member of the Howard Swingmasters, Adams was active in Washington, D. C.’s music scene and found regular work subbing in a variety of bands, including that of Duke Ellington. In this…

Doc by Cleek.jpg
Dr. Frank E. Adams, Sr. ("Doc") in his office at the Alabama Jazz Hall of Fame, 2013.

Photo by Ashley Cleek, courtesy Ashley Cleek.
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